Category Archives: Printmaking inspiration

Posts about finding ways to keep inspired and keep focussed.

Sometimes printmaking inspiration seems to evaporate like mist, and you become distracted by humdrum jobs and commitments. At other times you have so many ideas you almost can’t think straight.

No printmaking inspiration

If you feel stuck and lacking in inspiration there are posts here to help you get going. You will find ways to develop productive habits, and create space to allow your ideas to flow again.

Too much printmaking inspiration

Do you have so many ideas that they overwhelm you? Like a rabbit in the headlights you don’t know which way to turn and feel paralysed by choice.

Don’t stop having ideas – you just need a bit of help to focus and manage your inspiration!

Aiming for a balance

Here are posts that will help achieve a balance in your working patterns by using sketchbooks, discovering other artists and inspirational writers, understanding your best working patterns, and realising that you are not alone…..

Ross Loveday, Rhythm of the heat, carborundum print

Artists making carborundum prints

If you would like inspiration for your carborundum prints here it is!

Don’t be overwhelmed by the amount of colour, tone, texture and passion you find in carborundum prints. There are just so many inspiring artists working with this medium. The technique used in most of these examples is very close to painting, the artist working directly Continue reading

A two-storey concertina book with scraper board etchings

Scraper board etchings

Would you like a quick, cheap, simple and eco friendly way to make etching plates?
Who wouldn’t!
Scraper board etchings could be just the thing you are looking for to perk up your printmaking life.

scraper board etching printed as intaglio

scraper board etching printed as intaglio

Preparing traditional etching plates is quite involved, uses specialist materials and takes considerable time and expense. Of course if you want to produce a big edition of prints you need to use metal plates.

However if you want to grab a few plates to work on while you are out and about, and produce a few experimental prints scraper board etchings are ideal.

 

A museum residency provides inspiration

scraper board etching printed as intaglio

scraper board etching printed as intaglio

I discovered this technique during a printmaking residency at Bradford Industrial Museum. I was exploring scratches and marks left by the weavers on their looms. Some marks were caused by working the looms, some were intentional graffiti.

This kind of everyday archaeology fascinates me. Have a look at your old kitchen chopping board for a good example of inadvertent traces you have left on your environment.

People everywhere like to make their mark and will scratch letters, shapes, images and dates into any surface using whatever tool is handy.

 

Scratch marks

scraper board

Scraper board

An old pack of scraper board (‘scratch board’ in USA) I found in the back of a cupboard gave me the idea.

 

 

 

 

tools to mark scraper board

tools to mark scraper board

I invited my fellow Inkers Printmakers to create scratch marks, the only instruction was ‘try making some marks on this scraper board’.

They immediately set to and scraped with a variety of improvised tools.

At this stage I had no plan apart from collecting scratched marks to use in the residency at the museum.

 

A nice surprise

scraper board etching printed as intaglio

scraper board etching printed as intaglio

Once I had a collection of little scratched tiles it was a short leap to the thought “I wonder how these will print”.

Answer; Fantastic! What a lovely surprise, the incised lines held ink beautifully, (Hawthorns of course) and the surface wiped clean to produce a lovely tone.

I printed the scraper board etchings as intaglio prints on top of each other in different colours to emphasise the idea of marks building up over time.

 

Displaying scraper board etchings

concertina book with scraper board etchings

concertina book with scraper board etchings

To display all the tiny prints I made a concertina book with split pages. This is a great dynamic structure that moves with a will of its own!

 

 

 

Have a look at the video to see the book in action


First get your Scraper Board

You can buy scraper board from many art suppliers. A good place to look is Jacksons Art Supplies. Be sure to get the black and white version; “This artist grade board is handmade with a heavy China clay coating on illustration board (heavy card) to ensure a hard, smooth, white coating which is then sprayed with a good coat of semi-glossy black India ink.

You can have a go at making your own but I think if you are using it for etching it is probably not worthwhile as it is a real job to get it smooth and even.


To conclude

scraper board etching printed as intaglio

scraper board etching printed as intaglio

Scraper board etching is portable; you can easily carry a supply of scraper board with you and draw in situ so the image on your plate will be immediate and spontaneous.

It is accessible; safe, and easy to scratch with improvised tools for anybody whatever their age or ability.

It is cheap.

It is environmentally friendly; the plates are made from card, clay and ink.


Try it and let me know what you produced!
Post your images on instagram with #thecuriousprintmaker

mirror writing alphabets

Mirror drawing

 

mirror drawing; painting of pigeon and nest

pigeon and nest painted in the mirror

You may remember learning in biology class about the way our eyes receive images onto the retina that are actually upside down AND reversed, these are interpreted by the brain so we see what we think is ‘normal’. Mirror drawing plays around with this idea to help you see things with new eyes.

Various experiments have been done with special glasses to reverse things yet again so the brain perceives the world Continue reading