Nowadays the shellac you come across is usually in a nail bar. Here we are looking at a different material – the original shellac. Find out why this is a really useful varnish and sealant for printmakers, particularly when making collagraph plates.
golden shellac flakes
Shellac is a natural resin secreted by lac beetles living on trees in India. It recorded use dates back over 3000 years, and it was used for a multitude of purposes until the invention of plastic mostly replaced it.
Nowadays it is used in wood finishes, you may know it as French polish, knotting or Continue reading →
String prints enable you to create delicate organic forms with simple materials, these beautiful elegant mono prints will delight and surprise you time after time. This is one of those magic techniques that can absorb you for hours, the ‘just one more’ syndrome means it is hard to stop.
string print with white border
As you go on you lose yourself in the process and it can become quite meditative, the flowing patterns seem to affect your Continue reading →
Quite often the simplest techniques produce the most interesting results – this is one of the fabric printing methods I often use with groups as it is very straightforward and also introduces people to the idea of masking and layering, both of which are key concepts in printmaking. Even though it is a simple process the end result is always Continue reading →
The urgent need to print can strike at any time: I was getting stuck into some serious gardening and started to move a stack of concrete paving slabs, which had been leaning up vertically for some time.