Enviromesh after printing

Enviromesh mono prints

What is Enviromesh?

Enviromesh protecting a cabbage

Enviromesh protecting a cabbage

If you grow cabbages you will probably be familiar with Enviromesh. It is that springy clear plastic mesh made to keep the butterflies from laying eggs on your precious brassicas.

It is a very effective protection, although they usually find their way in round the edges.

However enviromesh has another interesting use….

 

Why is it so great for printmaking?

The mesh is robust but malleable, it doesn’t go all floppy and get clogged up with ink like some natural fabrics. The thin filaments are stiff enough to handle easily and print really well.

Its simple woven structure makes a great starting point for prints. You can play around with distorting, unravelling and melting it too.

When printed, enviromesh produces a transparent textured screen on the paper which is good for experiments with optical colour mixing, (think of the red and green effect of 3d glasses, or the little dots of different colour in Impressionist paintings).

When the mesh is printed several times the overlapping threads start to create interesting 3d effects.

Read on to see some of my printmaking experiments with enviromesh – I am confident you will be able to develop more ideas once you get a supply of your own….. let me know what happens!

 

Where to get it

If you don’t already have some in the shed, you will probably find it on wide rolls, sold by the metre at you local garden centre. It is also available in cut lengths on line – try Enviromesh.co.uk for example.

The fact that it is cheap, easy to find, and comes in big sheets means you can feel free to experiment wildly!

 

Inking Enviromesh for printing

Enviromesh printed with the acetate backing s well

Enviromesh printed with the acetate backing s well

I find the best way to get an even layer of ink onto the enviromesh is to first roll ink on to an acetate sheet. Lay the mesh onto the ink, and cover it with a second sheet of acetate; run the whole sandwich through the press.

When you separate the 2 pieces of acetate the enviromesh will emerge pressed a bit flatter, (easier to handle) one side evenly coated with colour and ready to print onto paper.

If you are feeling fancy you can roll the acetate with a graded colour, (see the feather print below) or try patches of different colours.

This method of inking up is also described in previous posts on printing feathers and leaves.

 

Some experiments to get you going

These are all mono prints. This means there is no printing plate, you ink the enviromesh up and then print it directly onto paper. I enjoy this approach as it means ideas and designs develop as you go, (no prior planning) and you will probably discover some surprising effects and images.

 

Cutting, tearing and fraying

Cut and 'torn' enviromesh printed twice

Cut and ‘torn’ enviromesh printed twice

You can’t actually tear it as it is very strong, but cutting it roughly and then pulling it will produce some pretty dramatic ripped effects.

Creating frayed edges is easy and strangely satisfying; the contrast between a structured woven grid and fibres being released from their constraints has interesting design possibilities.

Individual filaments are easy to remove, and have a subtle zigzag shape from being woven.

 

 

Pulling and separating threads

Enviromesh threads pushed and pulled to disturb the woven pattern

Mono print from enviromesh with threads pushed and pulled to disturb the woven pattern

If you grip a piece of environmesh and pull the fibres around you will create interesting patterns of flow, the dark areas where the threads are bunched up contrasting with lighter open patches.

 

The effects start to become quite 3d and much more dynamic than a regular woven grid.

 

 

 

Over printing

Mono print from enviromesh with added drawing

Mono print from enviromesh with added drawing

In this sample the same piece of mesh is printed twice; after the first time I re- inked it and moved it slightly. (It would be impossible to line up exactly anyway!)

Optical illusions start to happen as some of the threads are more offset than others and the interplay of contrasting colours can play games with your vision.

 

 

Combining mesh with other images

Enviromesh printed over other images

Enviromesh printed over other images

In this example the printed enviromesh appears like a curtain or screen over other images.

You could also introduce folds and print multiple layers to obscure the underlying image.

 

 

 

 

Enviromesh with mono printed feathers

Enviromesh with mono printed feathers

I had the idea of things getting caught up in the mesh – feathers are trapped here, but many other objects or people come to mind!

 

 

 

 

 

 

Melting / heating

Enviromesh distorted with a heat gun and printed

A print from mesh which has been distorted with a heat gun

Enviromesh melts. Hold a heat gun near it and it will start to shrink and crinkle up. You can control this and create definite shapes.

(Its probably best not to let it actually catch fire though – have a wet towel handy to put it out if this happens.)

The finished prints on paper are physically flat but have optical 3d qualities.

 

Never mind the cabbages

If you have been inspired to rip the enviromesh off your cabbages they are probably full of holes and fat caterpillars by now, but I hope your creativity is blossoming regardless. You can always get a cabbage from the supermarket after all.

 

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2 thoughts on “Enviromesh mono prints

  1. Wendy Talbot

    This is sheer genius, thankyou for sharing. I am in Australia, will have to fins out what we call it here, love it

    Reply
    1. Emily Harvey Post author

      Hi Wendy – Thanks for your comment I am sure you will have something very similar in Australia, I imagine your cabbage pests are bigger than ours!

      Reply

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