Many students come on courses in my studio and catch the printmaking bug. By the end of the course they are enthusiastically planning their next printmaking experiments, and then realise with a cry of despair “I haven’t got a printing press!”
There are lots of ways to print without a press, particularly with relief plates and mono prints, but if you want to do collagraphs and intaglio techniques you really Continue reading →
Combining collagraphs and mono-prints is a lovely versatile technique that I have used several times in community workshops. It works so well because it is easy to understand and people quickly get satisfying results. There is also plenty of scope for development so people with more printmaking experience enjoy playing with the two techniques together.
Aluminium tape is such a wonderfully versatile material for printing plates. The previous post described making plates with raised textures by encapsulating things underneath the tape. This one explains how to make embossed plates by pressing textures into the tape.