Combining collagraphs and mono-prints is a lovely versatile technique that I have used several times in community workshops. It works so well because it is easy to understand and people quickly get satisfying results. There is also plenty of scope for development so people with more printmaking experience enjoy playing with the two techniques together.
I think of wet-and-dry carborundum paper as a fake mezzotint because it will create a beautiful velvety toned ground that is reminiscent of this traditional (highly involved and time consuming) technique.
If you want to make flat areas of strong even tone without waiting for glue to dry then this is the technique for you. If you use double Continue reading →