“How do you turn a rough experiment into a finished print?”
Students often ask me how I arrive at a finished print and also want advice on how they can turn initial experiments into finished prints themselves.
There are probably as many stories behind finished prints as there are actual prints, and I am sure you will have stories of your own once you think about how your favourite print came into being.
Why would you want to print a vinyl record?
Just for fun really, and because you can!
His Masters Voice, the iconic label
Vinyl records are great ready made printing plates; thin and flat they’ll go through a printing press under pressure.
The variety of smooth and ridged areas on the surface hold ink in different ways, and you often get lettering in the mix as well.
Blind embossing involves pressing deep textures into paper, creating subtle and dynamic images that change with the angle of light and the position of the viewer. Sometimes inspiration blossoms when your choices are limited, and if you are used to printing with colour, blind embossing will stretch your understanding of the printed surface, introducing sculptural elements into your printmaking.
Discover the best way to ink and print a collagraph plate
The first thing to say is that each printmaker is unique and everybody does it differently.
It is still fun to argue about the best way to ink up a plate though!
I know from experience that ‘inking up’ can get pretty heated.
This entry was posted in
Ink and tagged collagraph, ink, intaglio, paper, printing press, printmaking courses, registration, relief printing, rollers, tissue paper, viscosity on . August 19, 2019